Dreamcatcher
There are times when it doesn't pay to be a movie fan. Not everything is
going to be worth the two hours you put into it, and occasionally, it'll
make you regret ever stepping foot in a theater. When you're shelling your
own money to see these pieces of dreck, that just makes it doubly worse.
Luckily, we get payback. Below are the worst of what Hollywood had to offer
us this year, from unnecessary sequels, to botched adaptations to just plain
"what were they thinking?"
crap-fests. Unusual compared to previous years, no one film ran away with
our scorn, with instead multiple films receiving bitter little pills from
us.
Taking the grand boobie prize is Dreamcatcher, which is probably an
unexpected pick unless you've seen the thing. You can count the quality
Stephen King horror adaptations on one hand and it doesn't help that
Dreamcatcher is one of his more fanciful ones, dealing with alien invaders
that invade your brain and exit out your ass (no, really), along with a
military cover-up of said same. Add on an ensemble of good actors
floundering in the material (including the usually reliable Morgan Freeman
and a hilariously speech impedimented Donnie Wahlberg), horrible effects and
ridiculous plot twists and you have all the making of an all-time stinker.
It's enjoyable on a MST3K level, but that's no excuse. For these reasons,
it's a worthy winner of this year's Calvin for Worst Picture.
Sitting just behind it was this summer's whipping boy, Hulk. While audiences
were primed for a fun action romp much like 2001's Spider-Man, Ang Lee had
different ideas. He decided a pseudo-art film about the duality of man and
how closed off modern men are from their emotions would be a better idea.
Two words for you Ang, HULK SMASH! How fricking hard is that?
You're not going to find a group of people that are more dedicated and
worshipful of the original Matrix film than this group. So when we call The
Matrix Revolutions our third worst film of the year, it means something.
Some hated it on its own terms, some hated it for not wrapping the series
properly but anyway you slice it, we're starting to wish we took the blue
pill. We had no idea the rabbit hole was this shallow. A smaller minority
also vented on the superior Reloaded but it didn't place in the overall
list.
The level of wisdom involved in making a Fast and the Furious sequel without
Vin Diesel seemed to rise and fall throughout the year. Yet, when it all
came down to it, bro, it still meant that you were banking on pretty boy
Paul Walker to carry your film, bro. All the pretty, fast cars and illogical
chases aren't going to save you after that. Yo John Singleton, what happened
to your career, bro?
That Kangaroo Jack managed to avoid being voted the worst film of the year
is probably due to the fact that we were all scared off by the ridiculously
awful trailer including the now-infamous rapping kangaroo sequence. The
concept, I think, was formed in the very bowels of hell and vomited forth by
the Prince of Darkness himself to break our spirits. Jerry O'Connell plays a
hairstylist beholden to Christopher Walken's mob boss who is sent to deliver
a package to Australia. After mistakenly giving it to a kangaroo (I'm sure
it made sense at the time) the chase is on to get the money back. Sure, the
whole thing is masquerading as a family film, but it's not fit to inflict on
anyone.
Another Bruckheimer production follows right after, with the distinctly
unpleasant Bad Boys II. We've got nothing against explosions, really, but
the wall-to-wall fireball technique and Michael Bay's trademark
epilepsy-inducing directing style is just too much to take. Is anyone else
regretting letting Will Smith be a star? Thought so.
Coming in seventh is Wrong Turn, the finest that cannibalistic hillbilly
horror had to offer this year. Talk about your damning with faint praise.
Truth be told, it's pretty enjoyable on a campy level but no one in the cast
is going to win an Oscar anytime soon -- and would it have killed Eliza
Dushku to take her shirt off?
The Charlie's Angels sequel grabbed eighth spot, and really, what were we
expecting? Well, something that displayed even the bare amount of wit that
the first film had, along with its inspired lunacy. Who would have thought
staring at beautiful women for an hour and a half would be so tedious?
A three-way tie wraps this category up. Bringing Down the House represented
a nadir in Steve Martin's career, and has made some of us question our love
for him. The Cat in the Hat was a vile defilation of Dr. Seuss and Brian
Grazer must pay. Cabin Fever buzzed early as a horror film to remember but
ended up simply as a gross-fest among thoroughly unlikeable people.
A number of films were given the dubious honor of receiving votes in both
this category and in Best Picture, among them the aforementioned Wrong Turn
and Matrix films, as this group also includes among its ranks Kill Bill Vol.
1, Willard, Bend it Like Beckham and Big Fish. Truly, one man's trash is another's treasure. (Reagen Sulewski/BOP)
Top Ten
|
Position |
Film |
Total Points |
1
|
Dreamcatcher
|
47
|
2
|
The Hulk
|
43
|
3
|
The Matrix Revolutions
|
34
|
4
|
2 Fast 2 Furious
|
31
|
5
|
Kangaroo Jack
|
28
|
6
|
Bad Boys II
|
23
|
7
|
Wrong Turn
|
22
|
8
|
Charlie's Angels: Full Throttle
|
21
|
9 (tie)
|
Bringing Down the House
|
19
|
9 (tie)
|
The Cat in the Hat
|
19
|
9 (tie)
|
Cabin Fever
|
19
|
Best Picture
Best Director
Best Actor
Best Actress
Best Supporting Actor
Best Supporting Actress
Best Cast
Best Screenplay
Best Overlooked Film
Best Scene
Best Use of Music
Worst Picture
Worst Performance
Best Trailer
Best Breakthrough Performance
Best DVD
Best Special Effects
Return to the 2004 Calvin Awards