Sofia Coppola (Lost in Translation)
For the first time in the Calvins, a clear winner emerged in Best
Screenplay, as Sofia Coppola ran away with the title for her Lost in
Translation script. Six voters made it their pick for number one, three
times more votes than any other script received.
Coppola's tale of collective loneliness and isolation struck a big chord
with our voters, who admired the witty banter and natural conversational
quality of the dialogue and the relaxed but powerful way she was able to
develop character. Anyone who's been alone -- or just felt that way -- in a
strange city can relate to the situation that Coppola has drawn here.
Sliding into a solid second place finish was Niki Caro's script for Whale
Rider, a marvelously charming and moving film. Deftly avoiding cliché when
it would have been easy to make a simple story, Caro made a rarely seen
culture as familiar as the people next door and a family story for the ages.
The trio of Walsh, Boyens and Jackson make their third appearance in this
category for their writing in the Lord of the Rings films. The third place
finish for Return of the King matches the result of two years ago for
Fellowship and follows a fourth place finish for The Two Towers last year.
It was a monumental task to convert such an epic novel to the screen while
keeping true to the spirit of the source material and these three did so
handily. Take a bow, folks.
Closely behind that trio sits another, the screenwriters of Finding Nemo. A
clever and funny film about the responsibilities of fatherhood among...
fish, Nemo was able to entertain while at the same time sending a wonderful
message about family and dedication.
Plus it made our sides split. Pixar hasn't let us down yet.
While Kill Bill Vol. 1's style seemed to get most of the credit for its
success, it also had a very clever screenplay, filled with Tarantino's
trademark wit and endlessly quotable dialogue. Tarantino once again made the
decision to fracture his timeline, but unlike many other screenwriters,
understands why and when you should do it to maximum effect. The story was
simply crackerjack and ridiculously entertaining and well deserving of its
placement here.
Brazil's answer to Goodfellas, City of God, placed its script very close
behind in sixth. This story of the slums of Rio told the story of many lives
across many years in the midst of desperate poverty and was never less than
compelling.
Jim Sheridan and his two daughters Kirsten and Naomi brought their script
for In America in at seventh. A semi-autobiographical tale of the early
years of their family in New York, it was a powerful tale about loss and
togetherness. Just between you and me, I think this group is starting to go
soft on us.
This year's non-traditional comic book adaptation of choice was American
Splendor, the screenplay that we placed in eighth. It blended elements of
Harvey Pekar's life with his comic books (themselves based on his life) as
well as documentary-esque scenes of Pekar himself during the filming of the
movie in order to tell his life story, a brilliant conceit which many of our
voters were impressed with.
Following in ninth was Brian Helgeland's script for Mystic River, adapted
from the best-selling novel. The screenplay wove three narratives together
to a devastating conclusion worthy of its inclusion here.
Rounding out the top ten is the screenplay for Master and Commander: The Far
Side of the World. A rousing yarn about nautical warfare in the 19th
century, it also took the time to examine changing philosophical ideas at
this crucial point in history.
Significant snubs were handed to three Oscar nominated screenplays, those of
Dirty Pretty Things, The Barbarian Invasions and Seabiscuit.
In the case of the first two, it was mostly a limited distribution pattern
that failed to bring them to our attention but in Seabiscuit's case, as in
most other categories, we simply failed to be impressed by the picture. (Reagen Sulewski/BOP)
Top Ten
|
Position |
Actor |
Film |
Total Points |
1
|
Sofia Coppola
|
Lost in Translation
|
103
|
2
|
Niki Caro
|
Whale Rider
|
71
|
3
|
Frances Walsh, Peter Jackson & Philippa Boynes
|
The Lord of the Rings: Return of the King
|
59
|
4
|
Andrew Stanton, Bob Peterson & David Reynolds
|
Finding Nemo
|
55
|
5
|
Quentin Tarantino
|
Kill Bill Vol. 1
|
52
|
6
|
Bráulio Mantovani
|
City of God
|
51
|
7
|
Jim Sheridan, Kirsten Sheridan & Naomi Sheridan
|
In America
|
44
|
8
|
Shari Springer Berman & Robert Pulcini
|
American Splendor
|
40
|
9
|
Brian Helgeland
|
Mystic River
|
34
|
10
|
Peter Weir and John Collee
|
Master and Commander: Far Side of the World
|
32
|
Best Picture
Best Director
Best Actor
Best Actress
Best Supporting Actor
Best Supporting Actress
Best Cast
Best Screenplay
Best Overlooked Film
Best Scene
Best Use of Music
Worst Picture
Worst Performance
Best Trailer
Best Breakthrough Performance
Best DVD
Best Special Effects
Return to the 2004 Calvin Awards