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Noah: I do actually like The Age of Adz. I think it's important to note that All Delighted People is a significantly more accessible work than The Age of Adz. Steve: If by that you mean it sounds better and is more enjoyable to listen to, I'm with you. Noah: If nothing else, I give him credit for the sheer stones to leave what are probably better songs off of the full album. Again, there's a "but". Leaving aside whether or not he succeeded with it, The Age of Adz is clearly a very specific vision for Sufjan Stevens. I don't particularly love the electronica and weird beats on The Age of Adz. But I do find that the album (like most of his work) is like an onion. So many layers, so much going on. Steve: I too, found it to be like an onion, in that it made me want to cry. Noah: I'd like to hear more about that. Steve: When sliced, onions emit a gas that irritates the eyes and causes them to water. Noah: Am I speaking to Julie or Julia? Steve: Oh, you meant you wanted to hear more about my impressions of the album. Okay, being serious here. I agree with you the album is an impressive piece of work. There is a lot going on, Sufjan seems to be working with a purpose, as he himself says on "I Want To Be Well," "I'm not fucking around." I can appreciate all that at some level, but I found the music and the vocals cold, and the lyrics mostly did not resonate. Noah: Again, I don't totally disagree, but I do find it a fascinating listen. I think the difficult thing is that Illinois is such a beautiful listen, a complete concept album that manages to go everywhere without losing the thread...comparatively The Age of Adz just doesn't work as a companion piece. Or even a successor.
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